The “color” button can be a bit addictive when dealing with hollow sounding elements. While it tends to serve its purpose on the buss, catching peaks to keep them from clipping, this unit really shines on individual tracks, due to some of the additional features it offers. Sound Quality - 5/5: Surprisingly enough, Finality can add serious amounts of volume to tracks before the audio starts to sound too “flattened.” It’s entirely capable of being both a buss limiter, as it seems to handle full mixes quite well, and an individual track limiter, as its processing load is extremely low (about 1 percent usage on my 2.5 GHz quad core Intel i5), allowing the user to really place this all about their mix. It offers the user a handful of controls that make limiting intuitive, whilst offering a few extra controls that most standard limiters don’t have that can enhance the tone of the audio running through it. The Scope: Joey Sturgis’ Finality Advanced limiter was created to be extremely easy to use, yet flexible. Formats: Windows/Mac OSX (32 & 64 bit): VST2, VST3, AAX, RTAS, AU (Mac only)
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